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Resisting the impulse to grasp onto everyone so tightly.
Some things most certainly deserve robust and meaningful archives, but does everything? And when it ends, it ends.
Edges Koya Bound Years ago I became interested in giving form to walks. I had been walking a lot — often with interesting humans — and it felt unfortunate to have the whole experience dissipate once we were done.
Most successful and fully-realized is my book Koya Bound which was co-produced with photographer Dan Rubin. It drew edges around our eight day walk in the mountains of Wakayama, Japan via a selection of 80 images. SMS is ubiquitous.
How many people are following me as I walk? What are they saying? Have they all unsubscribed? Has anyone responded?
Perhaps not! Walks are nothing if not rhythmic. Steps, breaths, days, etcetera. A walk over the course of six weeks is a set of polyrhythms each operating at different scales. As part of the rhythmic structure of the walk, I wanted a forcing function to get me to import, whittle, select, and broadcast one image each day.
That daily aspect is critical. In fact, I see this strict rhythm of publishing to a faceless audience as an ascetic practice. A kind of dorky ablution that sharpens the eye without pulling you out of the moment. So why not go Full Pretentious Zen and just select an image each day and put it in a folder and then delete the folder? Because I think there is something worthwhile about sharing a walk like this with many. And allowing those following along to have voice.
I want to engage with that voice, but only once the walk is done, not in the middle of it.
And so we end up at: SMS. No stream. No stories. The best aspects of the network without having to fight the network.
Postcards Will it be boring? Quite possibly!
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